India’s only daily art newspaper
It’s not surprising that the real-life experience is reflected in the artwork. We use painting or literature to understand the social settings of a time because they might be included in that ‘creative’ expressions. What is creative is not something that excludes all those social realities; some painters may use the facts to create an […]
‘Times We Live In’: When Migrant Labours Comes to Painting Read More »
What is Ibis known best for painting or inhabiting the wetlands, forest or plains? Or do they do what artists do with canvas or poets with loneliness? How can we read or see if they write visual poetry or paint? These poetical queries may have been answered in the Bengaluru-based Indian Artist Rekha Roa’s solo
If Ibis Knows Best How to Paint Poetic Abstractions Read More »
Smriti Malhotra Tuan Andrew Nguyen, an artist whose work uncovers haunting artefacts and stories from the Vietnam War, is set to showcase his videos and sculptures at the New Museum in Manhattan. In his upcoming exhibition titled “Tuan Andrew Nguyen: Radiant Remembrance,” Nguyen delves into questions of memory and identity with a personal and ambitious
Through Art, Some Healing and Closure to the Wounds of Vietnam War! Read More »
Tsuktiben Jamir Presented by the DAG (formerly Delhi Art Gallery), ‘The Babu and the Bazaar’ exhibition offers a captivating journey into a bygone era, where Calcutta thrived as a melting pot of contrasting cultures, ideologies, and artistic expressions. From May 8th to July 1st, visitors can immerse themselves in the rich tapestry of this vibrant
Uncovering the Cultural Tapestry of Calcutta: ‘The Babu and the Bazaar’ Exhibition Read More »
Aditya Sisodia The exhibition titled “Mapped!” held at the Asiatic Society of Mumbai shed light on the historical methods of mapping, particularly the Great Trigonometrical Survey of India (GTS) conducted during the British colonial period. The exhibition, organised in partnership with the Rotary Club of Bombay, curated by heritage management firm PastPerfect, and supported by
Niveditha Ajay A room made infinite by mirrors across every surface including the floor, with bunches of flowers hanging from the ceiling. As you walk closer to the bundles of luscious green leaves, yellow, pink, and purple flowers, sensors cause them to lift- forming a semicircle where the viewer stands. This is teamLab’s Hanging Flower
Aditya Sisodia The Kiran Nadar Museum of Art (KNMA) in Noida is taking art and cinema enthusiasts on a nostalgic journey through the enchanting era of Indian pop culture with its latest exhibition, “Sitaare Zameen Par.” The exhibition showcases a captivating series of portrait photographs of Bollywood icons from the 1940s to the ’60s, beautifully
Aditya Sisodia Galleri Kaya’s 19th-anniversary exhibition offers a captivating glimpse into the world of art, showcasing a remarkable selection of artworks by 50 modern and contemporary Bangladeshi and Indian artists. Spanning from 1954 to 2023, this exhibition celebrates the diverse range of artistic styles, themes, techniques, and mediums that have shaped the art scenes of
Aditya Sisodia The Cleveland Museum of Art is set to transport visitors into the captivating realm of Udaipur with its upcoming exhibition, “A Splendid Land: Paintings from Royal Udaipur.” Organised by the Smithsonian National Museum of Asian Art, this remarkable showcase highlights the landscape paintings commissioned by the Mewar kings, who once ruled over the
Tsuktiben Jamir mOTHERTONGUE Born in West Bengal in 1971, Mithu Sen is a conceptual artist. With a focus on the “myths” of sexuality, language, market, and marginalisation, Mithu Sen creates conceptual and interactive multi-format expressions through drawings, performances, poetry, moving images, sculptures, installations, sound, and more, to explore and subvert hierarchical codes and rules. Mithu
Mithu Sen’s ‘mOTHERTONGUE’ and Danelle Bergstrom’s ‘Afterglow’ Read More »