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First Take 2021 Jury: Hartmut Wurster explores a dual approach to art from a bi-cultural perspective

Growing up in Germany and going on to spend 11 fruitful years in India as an enthusiast and purveyor of art has lent a unique perspective on all things aesthetic to Hartmut Wurster. The aficionado of art, an esteemed jury member of Abir First Take 2021, brings to the table a twin perspective from the […]

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First Take 2021 Jury: The perception of trajectories with artist Rm Palaniappan

Not all lines need to be boundaries, or even bound to expectations. They could even be described as boundless when it comes to the art of Rm Palaniappan, whose experiments with geometric style, symmetry and the usage of space dominate most frames he creates. It is not much of a wonder then that a fascination

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“I am interested in surprises from my art,” says Manjunath Kamath, a man of many mediums

Skilled facility with diverse media, multiple cultural references, traditional iconography, fragmented imageries, an often humorous visual vocabulary, and constantly reinvented modes of storytelling are the hallmark of noted artist and sculptor Manjunath Kamath’s works. In this Abir Pothi exclusive, he shares his journey with Gauri Gharpure Temple sculptures and paintings, churches, and Jain temples were

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\’Curators are not mouthpieces for artists; nor do artists have to put forth the vision of a curator\’

Art curator and entrepreneur Satyajit Dave breaks down his approach to the academics behind art, and discusses with Abir Pothi how artists and curators can collaborate best, whether the art world is an exclusionary club, and if Indian art is free of the shackles of looking to the West Tell us a bit about yourself.

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While art events in many contemporary galleries are addressing problems of gender and caste, most of what I see appears to be emulating the West: Pronoy Chakraborty

The Pothi team speaks to Pronoy Chakraborty, a young curator who the place you show art in helps recontextualise the entire idea  It is said that the old must give way to the new. It isn’t to say that what the past brought before you is not important. In fact, we sit on the shoulders

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The understanding that a curator will pick up my work and put it in a gallery and I will sell my work, is not a formula: Lina Vincent

Meet curator Lina Vincent. The Pothi team met up with her (over the phone, of course) to talk about her journey and her world of art. If you are in Goa, you probably know that she curates for the Serendipity Arts Festival   Lina Vincent has been an observer of art and a curator since the

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Curation for me is to be the invisible particle allowing the psyche of art/artist to reflect: Jesal Thacker

Meet Jesal Thacker, an art curator who studied fine arts. She tells the Pothi team why she feels abstract art needs more attention In the arts, especially fine art, the curator is like a guide and a messenger. A curator helps us understand art better. The reason a curator is our guide is for a

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Inventing myths and dramas: Inside the colourful world of Elisa Nicolaci’s fabric sculptures

The Pothi team profiles Elisa Nicolaci, whose dramatic sculptures are made of various fabrics, each representing itself as well as qualities like depth and light Sculptor Elisa Nicolaci was born in Palermo in 1977. She trained at the Academy of Fine Arts of Carrara. During her years at the Academy, she went through the traditional

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Pop goes the world and India: A talk with artist Ketna Patel

Investigating populism in today’s G-local ‘pop-culture’ – a conversation with pop artist Ketna Patel. By the Pothi team British Indian mixed-media Pop-Artist Ketna Patel is the walking embodiment of what it means to be a hybrid, kaleidoscopic Global citizen today. Born and raised in East-Africa to Gujarati parents, educated in London, before spending 25 years

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