When it comes to artistic expression, mediums, techniques, and perceptions frequently change over time. Nonetheless, despite all of this change, there is still a persistent dedication to customs and respect for ancestry that informs and influences the field of art. The recent show presented by renowned sculptor Robin David under the Raza Foundation’s auspices resonates deeply with this sentiment. Called ‘Yuva Sumbhava,’ this exhibition highlights a subtle conversation between tradition and innovation while also revealing the extraordinary skills of emerging Indian sculptors.
The genesis of ‘Yuva Sumbhava’ lies in the visionary initiative of Ashok Vajpeyi, whose foresight recognised the need to empower and showcase the creative potential of India’s youth. A year ago, an opportunity was presented by Ashok Vajpeyi , and it proved to be a momentous occasion for Robin. The prospect involved the implementation of various initiatives, with a particular focus on contributing to the empowerment of young people. The individual, who frequently participates in international level symposiums, found it a profound privilege to engage in endeavours aimed at nurturing the potential of youth.
Approximately 50 individuals from India who were actively engaged in their respective fields were initially identified. Subsequently, a decision was made to limit the selection to individuals aged 40 and under. The rigorous selection process aimed to identify young talents predominantly involved in stone-related work. After careful consideration, a group of 25 individuals representing diverse states emerged as the final selection. Notably, each of these individuals showcased a commendable dedication to their craft, with their work being characterised by freshness and innovation.
The process of selecting individuals for sculptural work proved to be particularly demanding, requiring significant effort and attention to detail compared to painting. Working with stone presented unique challenges, further underscoring the importance of selecting individuals who exhibited both skill and resilience in their chosen field.
Robin David reflects on the challenges faced by artists in ensuring the longevity and preservation of their work, drawing from personal experience and a broader consideration of Indian tradition and history. While acknowledging the intrinsic satisfaction derived from artistic endeavors, David emphasizes the importance of creating art with a lasting impact, rooted in our rich cultural heritage.
He highlights a prevalent concern among artists regarding the future visibility and appreciation of their creations. Despite their accomplishments and aspirations, many artists grapple with doubts about the enduring significance of their work. David identifies logistical hurdles, particularly in the realm of sculpture, as significant barriers to the safe transportation and delivery of artworks. The cumbersome process of sending sculptures, involving price documentation, TDS deductions, and insurance considerations, exacerbates the challenges faced by emerging artists.
The dilemma surrounding insurance further complicates matters, as determining the accurate value of artwork involves intricate calculations, including deductions and taxes. Consequently, the practicalities of transportation become a daunting obstacle for young artists navigating the complexities of the art market. David underscores the pressing need for solutions that alleviate these logistical burdens, thereby fostering a conducive environment for artistic expression and preservation.
Robin David voices concerns about the dire situation faced by students upon graduating from Fine Arts Colleges in India. He paints a bleak picture of the educational landscape, highlighting the lack of practical guidance and career prospects for aspiring artists. David laments the absence of a clear trajectory for students post-graduation, emphasising the pervasive sense of directionlessness among graduates.
He underscores the harsh reality that only a fraction of graduates secure placements, leaving the majority of students without viable employment opportunities. This stark imbalance between the number of graduates and available positions compounds the challenges faced by aspiring artists, leaving many disillusioned and uncertain about their future prospects. David’s remarks underscore the urgent need for reforms within the educational system to address these systemic issues and provide students with the necessary support and resources to navigate the transition from academia to the professional realm.
Robin David recounts the tumultuous journey that has defined his life, tracing its origins back to a pivotal moment in his youth. It all began during his time at Fine Arts College, where he was pursuing his passion for music, specifically the sitar. However, a simple mistake made in front of his Guruji led to an unexpected expulsion from the institution. Despite being in his final year, he found himself abruptly cast out, with even his Guruji chasing him away as he descended the stairs, sitar in hand.
Robin’s lifelong struggle began during his time at Fine Arts College, where he initially pursued his passion for music, specifically playing the sitar. However, a crucial mistake made in front of his Guruji led to his unexpected expulsion from the institution, despite being in his final year. This expulsion was followed by a humiliating encounter where his Guruji chased him away as he descended the stairs with his sitar in hand.
Determined not to be deterred by this setback, Robin resolved to continue his education and eventually gained admission to Fine Arts College once again. However, his journey was fraught with challenges as he found himself expelled from the college four times within the span of a year. Despite these setbacks, Robin persevered, delving into the world of theater while facing the complexities of familial dynamics, with his father serving as his boss in a company.
In 1974, Robin’s involvement in theatre took a significant turn when he landed a role in the play “Tughlaq” alongside Girish Karnad’s production. However, his aspirations were once again met with adversity as Brij Mohan Shah, the director of the National School of Drama (NSD), terminated him at the behest of his father.
Amidst the trials and tribulations, Robin’s path intersected with that of Ashok Ji, leading him to the State Arts Council. Since then, Robin’s struggle has persisted, with challenges and obstacles continuously testing his resolve. Yet, despite the hardships he has faced, Robin remains steadfast, declaring that “stone hasn’t left me,” a testament to his unwavering determination in the face of adversity.
Feature Image: Sculptor Robin David at work | Courtesy: Robin David
Sunil Gupta Turns Back Time; Showcases Queer Rights in 1980s London
