Abirpothi

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art history

From Novel to Icon: ‘The Agony and the Ecstasy’ and the Timeless Image of Michelangelo

“The Agony and the Ecstasy” by Irving Stone is a seminal work in historical fiction, offering readers a vivid portrayal of the life and art of the Renaissance genius Michelangelo Buonarroti. This scholarly article seeks to delve into the depth of Stone’s narrative, exploring its historical accuracy, character development, and artistic interpretations. Through a comprehensive […]

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Breaking Ground: Waheeda Baloch as the First Woman Curator of Karachi Biennale KB24

Introduction The Karachi Biennale Trust (KBT) is thrilled to announce the appointment of Waheeda Baloch as the curator for the fourth edition of the Karachi Biennale, known as KB24. In a historic move, Waheeda Baloch becomes the first woman to take on this pivotal role in the Karachi Biennale’s history. An Avant-Garde Choice Niilofur Farrukh,

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Amrita Sher-Gil’s “The Story Teller” Takes Center Stage at Saffronart Upcoming Auction

Introduction In the world of Indian art, few names shine as brightly as Amrita Sher-Gil’s. The upcoming Saffronart September Sale, set to take place on September 16, 2023, in Delhi, is generating considerable buzz. Among the 78 works to be auctioned, the coveted cover spot belongs to Amrita Sher-Gil’s masterpiece, “The Story Teller,” painted in

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Late Artist Ashley Bickerton’s Work Embraces Contradictory Viewpoints in the New Documentary

The late artist Ashley Bickerton, known for his ability to weave multiple contradictory viewpoints into his work, is the subject of a new short documentary titled “The Importance of Being Elsewhere.” Directed by Thomas Nordanstad, the film offers insights into Bickerton’s artistic philosophy and his journey from New York to Bali. A Multifaceted Perspective In

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Metropolitan Museum of Art’s New Replica App Blends Augmented Reality and Gaming, Bringing Masterpieces to Digital Realms

The Metropolitan Museum of Art in New York, renowned for its vast collection spanning millennia of art history, is breaking new ground by venturing into the digital realm. The museum has introduced a cutting-edge augmented reality app named Replica, allowing users to engage with a virtual version of its extensive collection. Developed in collaboration with

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Antiquities Trafficking: Debunking the Myth of the “Third Largest Illicit Trade”

The claim that the illicit antiquities trade is the “third largest illicit trade in the world” has been widely circulated for over five decades. However, new research by archaeologists Donna Yates and Neil Brodie sheds light on the origins of this factoid and exposes its lack of verifiable evidence. The study, published in the peer-reviewed

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Collector’s Quest: Removing a Painting from the Lost Art Database

In a gripping legal battle, an unnamed collector seeks to remove a valuable painting from the Lost Art Database, which tracks artworks stolen or looted during the Nazi regime. The painting in question, “Calabrian Coast” by Andreas Achenbach, carries a tumultuous history, having once belonged to Jewish-German art collector Max Stern. The Tragic Tale of

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‘Run As Slow As You Can’: TOILETPAPER’s Immersive Art Exhibition Makes India Debut at NMACC, Curated by Nita Ambani

Renowned Italian creative studio TOILETPAPER, founded by Maurizio Cattelan and Pierpaolo Ferrari in 2010, is set to make its India debut with the immersive visual art exhibition ‘Run As Slow As You Can.’ The exhibition will be brought to India by businesswoman Nita Ambani and will be hosted at the Nita Mukesh Ambani Cultural Centre

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Félicien Rops: Exploring the Enigmatic Artistry and Provocative Legacy of a Masterful Iconoclast

Félicien Rops, a renowned Belgian artist, was born on this day. With his provocative and often controversial artworks, Rops challenged societal norms and pushed the boundaries of art in the 19th century. In this article, we will look into the life and works of Félicien Rops, exploring his unique artistic style, his impact on the

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AI’s Impact on Art History: Are Narratives Being Skewed?

This article delves into the potential biases and limitations of AI-generated images in shaping art history, highlighting concerns about skewed representation and the need for diverse perspectives in the evolving landscape of artificial intelligence. Artificial intelligence (AI) applications have revolutionised various fields, including art creation and research. However, the use of AI in generating images

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