Abirpothi

India’s only daily art newspaper

contemporary Indian artist

Agency of the Female Nude Figure: The Empowering Oeuvre of Vasundhara Tewari Broota

“To choose a human being as a subject comes naturally, and to choose a woman even more naturally because that’s the form I relate to.” – Vasundhara Tewari Broota. Vasundhara Tewari Broota is an Indian painter born in Kolkata in 1955 and moved to New Delhi when she was fifteen. After an initial stint studying law, […]

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Khurana’s approach to performance art as a means of social and political transformation

Abhishek Kumar ‘Anyone to whom equality is integral is feminist’ — Sonia Khurana Sonia Khurana is a contemporary Indian artist who works across various mediums including video, photography, performance, and installation. Khurana is regarded as one of the leading contemporary artists in India and her work continues to push boundaries and challenge the status quo.

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Between reality and fantasy: The magic of the mundane on Sosa Joseph\’s canvases

Abir Pothi explores the seamless ‘everywhereness’ and dreamlike quality of Kerala-based contemporary artist Sosa Joseph Indian contemporary artist Sosa Joseph was born on December 23, 1971, in Parumala, a small village in southern Kerala, where she was raised in a house right by the river. “For us, it all began with the river. It flowed through

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‘The imaginative landscape is to think about and bring about the hope of change’

Abir Pothi in conversation with Rekha Rodwittiya, a contemporary Indian artist associated with the Baroda School, known widely for art that masterfully wields allegory and surrealism. This is part two of the interview. You can read the first one here. You are a mentor to young artists and have been a teacher yourself. How do

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‘My art is my meal. It is the sustenance of who I am and what I offer to others’

Abir Pothi in conversation with Rekha Rodwittiya, the contemporary Indian artist known for the fascinating magical realism in her art. A maven of metaphor, she also co-runs the The Collective Studio, Baroda. This is part one of the interview. You have an amazing faculty with languages. We find with artists sometimes that they paint because

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