David Mesguich: The Street Art Prodigy

David Mesguich is a contemporary French artist celebrated for his contributions to street art and sculpture. His style is characterized by a fusion of geometric precision and an avant-garde approach to street art. If we were to talk about David Mesguich’s technique, we would find extensive use of angular lines, sharp edges, and intricate detailing. They are both visually dynamic and architecturally intriguing (we are obviously referring to Anish Kapoor’s bean). There is a sense of order and a rejuvenating and refreshing structure to his pieces.

Another commendable aspect of David Mesguich’s technique is his commitment to using recycled materials. By repurposing discarded objects, he takes on an environmentally sustainable approach. Hence, the depth increases exponentially due to this eco-conscious approach, inviting viewers to contemplate the relationship between humanity and the environment.

The themes prevalent in David Mesguich’s artworks often revolve around identity, displacement, and the intersection of nature and technology. His fragmented forms evoke a sense of disconnection and narrate the impact of globalization on personal identity. This contemporary discourse with the virtue (vice?) of globalisation and gentrification contributes to the overarching themes of identity and fragmentation. The use of fractured faces suggests several facades of individuality; a richness of personalized complexity and diversity.

Let’s briefly discuss two of David Mensguich’s sculptures that have a perplexing effect on art enthusiasts (including us).

Baumettes Prison frescoes

In 2012, David Mesguich spent time at the Baumettes Prison where he created two moving pieces ‘World of the Fence’ and ‘Self Construction’. Not only does it serve as a daily reminder of the prisoners’ motivation but also of the fragile life.

Pressure 1.2

In 2018, in Nantes, France, he unveiled another marvel titled Pressure 1.2’ with support from Backside Gallery. The humanoid figure; an impeccably carved woman discusses an individual’s control over space and seldom other beings.

Image Courtesy – David Mesguich via Facebook

Auguste Rodin: Kiss, Thinker and the Hell that Shaped the History of Sculpture

admin