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Iftikar Ahmed

Iftikar Ahmed is a New Delhi-based art writer & researcher.

How Does Sayema Shaikh Transform Nature and Emotion Into Abstract Visual Poetry?

Artists of the Week /

In the works of Sayema Shaikh we see abstract landscapes of emotion and memory melding consistently with natural elements. Working with texture and layers offers a tangible experience that exceeds conventional visual boundaries, inviting the viewer to engage in deep and immersive conversations with each canvas. By way of broad brushstrokes, vibrant hues and deliberate […]

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The Influence of Rajnish Osho on the Language of Art

#longread, Columns, Featured /

A spiritual leader who was a controversial and global name Rajnish Osho is still the main topic across both philosophical and artistic circles while they either loved him or hated it, there is no middle. Though he is most commonly associated with meditation, sexuality and radical spiritual ideologies, his influence on art—the language and modality

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What Hidden Realities Does Satish Moladiya Reveal Through His Surreal Art?

Artists of the Week /

The art pieces of Satish Moladiya are a visual expression to examine the multiple layers of human spirit, emotions and experiences. A mixture of surrealist elements and symbolic narratives, his works are both accessible on the surface, yet invoke deeper contemplation as viewers navigate their visual journeys. Moladiya paints portraits that show the complex nature

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Can Art Suggest Where Violence in America Comes From?

#longread, Columns /

Introduction Violence is the lifeblood of American history, politics and culture. Violence is present in many shapes and guises throughout American society, from the colonial conquests and Civil War to mass shootings, police killings. Art is an interpretative representation and direct reflection of social practices, giving readers a unique toolbox to delve into the point

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Artist Dipak Ankalkhope Paints a Powerful Tribute to Farmers’ Resilience in the ‘Shetambari’ Series

Artists of the Week /

Dipak Ankalkhope through his artworks specially from the Shetambari series is a very personal introspect on life and struggles of Farmers in today’s society. Exuding empathy from the canvas, Dipak—a farmer’s son—is at home with acrylic on flat medium in his unembellished but visually arresting storytelling. Another poignant facet of a farmer’s life is the

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Preserving India’s Cultural Heritage: The Need for Stronger Institutional Support and Widespread Art Institutes

Featured, Opinion Feature /

My last visit to the Nawab Palace of Murshidabad Hazardwari Palace which is now transformed into a museum, left me disheartened and questioning the notion of “better preservation.” As I observed the peeling wall paint and witnessed the neglect of priceless 17th and 18th-century oil paintings, I couldn’t help but reflect on the lack of

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Ravikant Jha Blends Mythology and Psychedelic Imagery in Semi-Abstract Paintings from the Himalayas

Artist Profile /

Ravikant Jha, a contemporary artist, resides and practices art in the scenic and culturally rich Himalayan district of Solan, Himachal Pradesh, India. His unique approach to art, which he describes as semi-abstract, intricately blends both figurative and abstract elements, creating an amazing visual experience. The primary medium is acrylic on canvas, a choice that allows

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What Munshi Premchand’s ‘Torn Shoes’ Reveals About Creative People

Columns, Featured /

Shoes have long been used as metaphors in art, conveying diverse meanings across cultures and historical periods. In Vincent van Gogh’s “A Pair of Shoes,” they reflect the artist’s struggles and working-class identity, while in Renaissance portraiture, luxurious shoes denote wealth and social status. Salvador Dalí’s “The Persistence of Memory” uses shoes to suggest transformation

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