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Krispin Joseph PX What do you think about writing a postcard to someone? When it’s not only a write something, it’s more than a part of an art exhibition. It is just a postcard, and anyone can write to anyone. You only have someone to write to, and you have the address to send it. […]
Storytelling postcards from Communities of Choice Read More »
Krispin Joseph PX It’s an absolute godsend to see the photographic work of Bangladeshi photojournalist Shahidul Alam’s work in Kochi Muziris Biennale in this contemporary political-social context. Shahidul Alam is a pioneering photographer in Bangladesh, and he uses the camera as a socio-political tool, not to capture images but to expose society’s bare truth. He
Touching the political soul of a country with a Camera Read More »
Krispin Joseph PX Photography is the best tool to capture stillness and ideal to document history as an image. Documentary photography is more into history and documents contemporary life for historical reference. K R Sunil, Kochi-based documentary photographer and visual artist, exhibits his works related to Chavittu Nadakam in Sea, A Boiling Vessel, opened in
Carnivalised life and other stories of a performance Read More »
Krispin Joseph PX Is the identity crisis the most following question for human beings? How many identities are we carrying at the same time? Are we always the same? Or different? Heraclitus once wrote, ‘No man ever steps in the same river twice, for it’s not the same river, and he’s not the same man’.
Krispin Joseph PX Toxicity is a TKM Warehouse installation in Kochi Muziris Biennale, an invitation program that fetches numerous things together to an Indian audience. We must keep the show in mind as some places in India are toxic because of illegal mining and multinational companies exploiting our natural resources with the help of our
Krispin Joseph PX Kochi Muziris Biennale brings many things together. The twin harbour city, Mattancherry and Fort Kochi, had a uniqueness before the Biennale, from colonial period trade to myriad compositions of the ethnic groups, old buildings and warehouses that assembled the historical cities in the Arabian seashore. Biennale gathers specialities, including the historicity of
Krispin Joseph PX We may not know anything about the dictatorship, or we know it very well; have we gone through it silently? Our understanding of General Augusto Pinochet’s dictatorship in Chile is insufficient to define or identify the artwork related to that subject. We all are far away from the horrors of the Pinochet
Krispin Joseph P.X. Indian politics went on fire in 2020-21 because of the farmer’s protests against the bill passed by the Parliament in September 2020. Farmers’ demonstrations, mainly from Punjab, raise the tagline “Dilli Chalo” to overwhelm the national capital for their rights. Continuing Indian farmers’ low income and suicides bring this strike to international
Krispin Joseph PX Photography reads as a subject of historical context. As a topic, photos are the immediate reference for historical readings; photographs turn history into a visual experience, a framed visual field of history. When photography starts to document history, we read photographs as an agency for reading history. West Bengal-based visual artist Dipanwita