Abirpothi

Krispin JosephPX

Krispin Joseph PX, a poet and journalist, completed an MFA in art history and visual studies at the University of Hyderabad.

Yayoi Kusama: Queen of Pop Art, Conquer the World with Polka-Dot

The story of Kusama is fascinating for many reasons. She studied traditional Japanese painting style and moved to New York in 1958, inspired by American Abstract Impressionism, became a part of the Avant-Garde movement, especially pop art, hugging hippie culture in the 1960s, got public attention when she exhibited herself as brightly coloured polka dots

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Judith Leyster: Forgotten Master in the Dutch Golden Age

In the book ‘How the Personal Became Political’, edited by Michelle Arrow, Angela Woollacott collects many critical writings on art and culture. In this book, an article, ‘How the personal became (and remains) political in the visual Arts Chapter’ by Catriona Moore and Catherine Speck, extensively argues about the feminine space in visual art. In

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Hanuman and Magical Herbs: Priyantha Udagedara’s Visual Fiction for Dead People

In the Indian context, Hanuman has been a hot topic for many decades, yet there has been controversy because of the myth used to attack non-Hindu. Hanuman Chalisa is a political tool in India under the Modi rule, and many ‘attacks’ news appeared from different parts of the country in the name of Hanuman. In

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(En)closed With Voices of South Asia, Resonating Visual Idioms

Delhi Contemporary Art Week displays the new voices from, in a broader sense, the Global South as a territorial and political identity, resonating with the socio-economic contrasts and backdrops. In a canvas or mixed medium, from a minimalistic point of view, artists bring pristine ideas and perspectives, a playful abundance of disciplined mediums, or even

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Six Galleries, 50 Artists; Celebrating Un/Known Visual Narration of South Asian Art

The Delhi Contemporary Art Week brings a new wave of ways of seeing Art. The exhibition showcases the vibrant nature of artists from India and the broader South Asian region, including Bangladesh and Pakistan, at Bikaner House for a week-long programme. At first look, this event displays contemporary Art in different consistencies, philosophies and principles,

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Big Eyes: A Great ‘Lure’ in Western Art, Story of Margaret Keane

Margaret Keane is maybe the only Artist who established herself as an artist in the courtroom in Western Art history. Margaret, an American artist known for painting subjects with big eyes and Artwork, was initially credited to her ex-husband for years. The story of People with Eyes and ‘lure’ in Western Art goes back to

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