Smriti Malhotra

Introduction Somaskanda Murthy, a significant and enigmatic deity in Hinduism, stands at the crossroads of divinity, symbolising the intricate matrix of life, spirituality, and cosmic unity. Within the sacred embrace of this divine triad lies a profound representation of the cosmic order, where Lord Shiva, Goddess Parvati, and their illustrious son, Lord Skanda, seamlessly merge

INTRODUCTION Hinduism, one of the world’s oldest and most diverse religions, is replete with a rich variety of symbols and icons that serve as profound sources of spiritual inspiration and wisdom. Among these sacred symbols, the Nandi bull stands as a prominent and revered figure, often found in Hindu temples across the Indian subcontinent. The

Introduction Orhan Pamuk, the acclaimed Turkish author, is renowned for his ability to weave intricate tales that capture the essence of Istanbul and the human condition. One of his most remarkable works, “The Museum of Innocence,” transcends the realm of literature to become a tangible art form, as Pamuk ingeniously transforms words into objects, creating

Introduction Art is a boundless subject that has enchanted humanity for millennia, functioning as a  crucial conduit for the articulation of thoughts, sentiments, and interpretations of the human experience. This intricate and multifaceted subject has spurred countless debates among philosophers, artists, and scholars, giving rise to an array of philosophical perspectives that seek to decipher

Dan Ostermiller, a native of Colorado-born in 1956, was deeply immersed in the world of taxidermy from a young age, thanks to his family legacy. His father, a renowned taxidermist, had travelled the globe for his craft, performing surgeries on animals in Africa, India, Alaska, and Canada. Dan’s upbringing was steeped in taxidermy, and it

Introduction The British Museum’s loss of 1,500 items, allegations of theft involving insiders, and the questions raised about its extensive collection’s origins have ignited a renewed discussion on the moral and ethical aspects of retaining artefacts acquired during the era of imperialism. In light of these developments, Professor Kavita Singh’s perspective becomes a critical lens