Sammy Baloji at the Venice Biennale: Ghosts of Katanga and Imaging the ‘Other’
Photographer, visual artist, and filmmaker Sammy Baloji (1978), from the Democratic Republic of Congo (DRC), is participating in this year’s Venice Biennale with his artworks, which will amplify ongoing colonial-postcolonial dialogues and the artistic practice at different levels. With a focus on the cultural, architectural, and industrial legacy of the disputed and resource-rich Katanga region, […]
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