India’s only daily newspaper for Art, Architecture, and Design.
Mumbai will host Tom Vattakuzhy’s first exhibition in the city, Where Words End, at the Institute of Contemporary Indian Art (ICIA) from May 3 to 17, 2026. The exhibition brings together a focused body of works that the artist calls “Story Paintings.” These paintings move beyond the function of illustration and instead explore what cannot be […]
Tom Vattakuzhy’s Where Words End Debuts in Mumbai at ICIA Read More »
Indian multidisciplinary artist Sohrab Hura’s presence at the 2026 Venice Biennale marks a pivotal moment for modern Indian art. Known for defying singular focus, Hura mixes photography, film, text, sound, and drawing, making his technique always evolving. His participation underscores both his international standing and the rising importance of multidisciplinary, process-focused art today. The Artist
Unsettling Narratives: Sohrab Hura’s Fluid Worlds at Venice Biennale Read More »
Ahmedabad-based artist Rakesh Patel will present a sculpture at the Château du Grand Launay sculpture park in France, a project envisioned by noted collector Jean Marc Decorp. Spread across two hectares, the park features works by over 25 international artists and remains open to the public from April to October. Patel is the only Indian
Rakesh Patel to Exhibit at French Sculpture Park by J M Decorp Read More »
At Bikaner House’s Main Gallery, Manu Singh’s exhibition बाकी / After Erasure brought together works shaped by repetition, removal and return, opening a contemplative space around what survives revision. Running from 16 to 21 April 2026, the exhibition drew from Singh’s long engagement with painting as a material process rather than a fixed image. Singh describes her
Manu Singh’s Exhibition in Delhi Examines What Survives Revision Read More »
Murari Jha’s solo exhibition at Nature Morte Gallery, which ran from April 18 to May 17, brings together a body of work that reflects his ongoing engagement with memory, the body, and the idea of objects. According to the gallery, the exhibited works, made in a variety of materials (stone, bronze, wood, brass, synthetic putty,
Murari Jhas Theatre of Objects Between Abstraction and Association Read More »
Tasneem Lohani exhibition in Mumbai: It’s taking longer to download than it was to puke up, looks at how growing up online shapes memory, friendship, and behaviour. Presented as an immersive installation, the show rebuilds the artist’s childhood computer room and reflects on early social media experiences. Through familiar objects and digital references, Lohani invites
Tasneem Lohani Explores Digital Memory In Mumbai Exhibition Read More »
Mumbai’s newest experimental art platform, Six Continuum, will open its inaugural exhibition There Are No Punch Cards on April 18, 2026, featuring new jacquard works by Silvassa-based studio Mechaniya, co-founded by Tanvi Ranjan and Namrata Kothari. Running until May 18 at Eon One, Prabhadevi, the exhibition foregrounds the studio’s ongoing engagement with industrial textile processes, digital technologies,
Mechaniya Reimagines Textile Futures in Six Continuum’s Debut Show Read More »
Houses I Almost Lived In exhibition in New Delhi brings together five artists to examine memory, architecture, and lived experience through diverse materials and forms. Presented at Latitude 28, the exhibition reflects on spaces once inhabited, nearly entered, or only imagined, and how they continue to shape our inner worlds. It shifts focus from physical
Exhibition “Houses I Almost Lived In” Explores Memory In Delhi Read More »
The solo exhibition of young artist Raja Boro, Echoes of the Earth: A Woodcut Diary, who came from a village in Assam to Shantiniketan in Bengal and later to Baroda University, is notable both for reflecting the paths he travelled and for echoing the places he visited. Fundamentally, the exhibition is both a material meditation
Raja Boro’s Echoes of the Earth: Printed Landscapes of Memory and Belonging Read More »
As India prepares its presentation for the Venice Biennale 2026, the selection of artist duo Himali Singh Soin and David Soin Tappeser deserves special attention for many reasons. Especially as they have worked together and individually, and as those who explore two kinds of ecological sensibilities—working collaboratively as Hylozoic/Desires—this signals a compelling shift toward interdisciplinary,
Himali Singh Soin & David Soin Tappeser: Holding Contradictions at Venice 2026 Read More »