Stitching Memory, Repairing History: Georgina Maxim at the Venice Biennale
The presence of Zimbabwe-based mixed-media textile artist Georgina Maxim at the Venice Biennale paves the way for discussions about Global South art and the political contexts in which artists from the Global South advocate. Georgina Maxim blends more than ten years of curatorial and arts administration experience with a unique artistic practice. Maxim is also […]
Stitching Memory, Repairing History: Georgina Maxim at the Venice Biennale Read More »









