Abirpothi

Artist Profile

Ranjani Shettar: Cloud Songs and Non-Figurative Ecologies

Ranjani Shettar, Venice Biennale 2026

The visual poems of sculptor Ranjani Shettar, a notable Indian artist, advance India on the international scene at the 2026 Venice Biennale. Drawing on customs, materials, and natural language, Shettar’s art offers a distinctively Indian yet global language of art that is sustainably created. Born in 1977, Ranjani Shettar earned her BFA (1998) and MFA (2000) […]

Ranjani Shettar: Cloud Songs and Non-Figurative Ecologies Read More »

The Art of Sumakshi Singh: Weaving Memory, Space, and Silence

Artist Sumakshi Singh, known for her unique ability to materialise the intangible—memory, perception, fragility, and time—is a leading figure in contemporary Indian art, and represents India at this year’s Venice Biennale. She brings an artistic language composed of thread, translucency, stillness, and the delicate tension between presence and disappearance. Her delicate yet theoretically grounded paintings

The Art of Sumakshi Singh: Weaving Memory, Space, and Silence Read More »

Paramjit Singh: A Lifetime in Light and Landscape

On this day Paramjit Singh, born in 1935 in Amritsar, has crafted a six-decade career as one of India’s foremost landscape painters, blending realism, abstraction, and mysticism in luminous depictions of nature. Influenced by his Punjab roots and modernist techniques, he evolved from early figuration to transcendent visions of hills, trees, and skies, often capturing

Paramjit Singh: A Lifetime in Light and Landscape Read More »

Between Earth and Ephemera, and the Art of Skarma Sonam Tashi

As India’s representative at the 60th Venice Biennale in 2026, Skarma Sonam Tashi is carrying an artistic career advancing at an incredible pace, as well as the spirit of an entire high-altitude culture in Ladakh. Tashi, a sculptor whose materials, philosophy, and form speak forcefully to the ecological and cultural crises of our time, was

Between Earth and Ephemera, and the Art of Skarma Sonam Tashi Read More »

Alwar Balasubramaniam: ‘Tracing the Self’, Body, and Becoming

The creative world of Alwar Balasubramaniam, known as “Bala,” spans decades of exciting practice. His techniques, which began with an intense focus on painting and printmaking, evolved dramatically after 2000, when he turned toward sculpture and immersive installations—an ongoing exploration now culminating in his role as India’s representative at the upcoming Venice Biennale. As we

Alwar Balasubramaniam: ‘Tracing the Self’, Body, and Becoming Read More »

Archiving the Vanishing: Kulpreet Singh’s ‘Extinction Archive’ and the Aesthetics of Loss

The Extinction Archive project by artist Kulpreet Singh, produced by KNMA on the view of India Art Fair 2026, depicts animals and plants at peril and spans over 900 endangered species, painted on pesticide-dipped rice paper, making the magnitude and accumulation of what is vanishing clear. This show has attracted the attention of art lovers

Archiving the Vanishing: Kulpreet Singh’s ‘Extinction Archive’ and the Aesthetics of Loss Read More »

Jogen Chowdhury: Memoirs of an Indian Dream and Alchemy of Expression

On This Day Jogen Chowdhury (born 16th February 1939 is an eminent Indian artist considered one of the most important and seminal figures in the history of postcolonial Indian Art. Jogen knows his painting bonded to Partition, the landscape, folk tales, and figurative and political injustice-motivated compositions. He was born and brought up in an

Jogen Chowdhury: Memoirs of an Indian Dream and Alchemy of Expression Read More »

Material, Memory, Myth: The Indian Artists Shaping Venice Biennale 2026

India, presenting a curated show at Venice Biennale 2026, one of the most significant exhibitions in the world of contemporary art, with a powerful collective presentation titled ‘Geographies of Distance: Remembering Home’. Five of India’s most vibrant contemporary artists—Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi—will collaborate on the project,

Material, Memory, Myth: The Indian Artists Shaping Venice Biennale 2026 Read More »

Capturing the Portfolio of the Marginalised: Decoding the Pixel Activism of Palani Kumar

“Don’t shoot what it looks like. Shoot what it feels like” David Alan Harvey As a medium, photography has always maintained its ‘photojournalistic’ ‘news photography’ nature. But Tamil photojournalist and activist Palani Kumar, who uses photography as a tool to give a voice to the ‘voiceless’, sees it beyond its aesthetic appeal and uses it

Capturing the Portfolio of the Marginalised: Decoding the Pixel Activism of Palani Kumar Read More »

Ad