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The naturalness characteristic of the surface of a geological cave serves as my source of inspiration which is translated through clay. In my work, the clay is used in such a way that it retains its utmost natural character. Also, the geometry of space inspires me. Its regularity and irregularity are my interest to achieve. […]
\”Problems emerging from our socio-political scenario leading to a questionable system we live in, occupy my thoughts and get reflected in my ideas and works. Many of my subjects are based on the dystopian vision of the world, the Wars, and scenes of annihilation\” – SEWON RAI Sewon Rai was one of ten winners of
My art is deeply influenced by Hindu religious thought, in which the human body is regarded as a ‘temple’, a sacred space considered as a supreme creation of god, in which the divine resides. At the same time, evil thoughts exist inside the same receptacle, interpreted as ‘maya’ or illusion. My artwork, using the
First Take 2017 Winner Anju Paliwal: Where is she now? Read More »
The glances pause in time to deliberately narrate the depths of life. As life unfolds it slowly shows the known, hidden beyond the unknown. As metaphorical are moments of life and as uncertain are the certainties, my art works narrate the untold stories of the faces that have faded away. My series of paintings are
First Take 2019 Winner Keerti Pooja: Where is She now? Read More »
\”Surrounded by domesticated animals most of my life, I have learned to observe and study them closely. My works are heavily influenced by their presence in the fields and grounds where I have grown up and lived. Growing up in remote areas of the Gir forest, I have always been seated in the lap of
First Take 2021 winner Rutvik Mehta: Where is he now? Read More »
On a cursory glance, Sudhir Patwardhan’s cityscapes might look akin to Edward Hopper’s paintings. But while Hopper’s scenes often show figures in solitude against the backdrop of the geometrically laid-out Western city, Sudhir’s canvases are often brimming with toiling bodies struggling in a bustling Indian city in construction. The Social backdrop of Sudhir’s Patwardhan’s visual
Continued from Part 1. Beginnings Early to mid-twentieth century Bengal produced some very fervent artistic developments. Whether it was through the Revivalism pioneered by Abanindranath Tagore, or the Modernism embraced by the Government School of Art, Calcutta, visual art in Bengal gained from such different undercurrents. One undercurrent that had its roots outside the art
Engaged in many pursuits, young gun from Goa Sidharth Kerkar hails from a family of artists, including his grandfather Chandrakant Kerkar and father Sudobh Kerkar, installation artist, sculptor, and founder of an expansive art museum and gallery, Museum of Goa. Having had such exposure to art it is but obvious that Sidharth’s artistically inclined upbringing
By Gauri Gharpure Robert Allen Zimmerman, who the world knows as Bob Dylan, was born on this day, May 24, in 1941. Dylan has constantly reinvented himself, giving an outlet to his multifarious talents and passions relentlessly. While Dylan has been the recipient of many awards, perhaps the most significant and controversial of them all is
By Vandana Shukla Khanna’s works deal with a realistic world, the goings on; the play of maya caught in its own momentum, its own web; blurred under its own momentary existence against the eternal march of time. The moments caught on canvas seem to have a rhythm about them, as though, they are flowing over
A visual record of history – Krishen Khanna Part 2 Read More »