Abirpothi

Artist Profile

#Throwback2022: When art is not restricted by medium: Exploring the oeuvre of interdisciplinary artist Amitesh Grover

Seamlessly melding theatre, performance and interactive art since 2009, 41-year-old artist Amitesh Grover has been described as to have “transcended the barriers of disciplines”, working with live acts, texts, objects, images, installations and films over more than a decade. As he navigates and investigates the overlaps between performance, digital technologies, game design and public intervention, […]

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#Throwback2022: Somnath Hore: The artist-teacher who forever remained a student

Continued from Part 2. Somnath Hore, one of the most prolific artists in the canon of Indian Modern Art, was not only an accomplished visual artist, but also a well-respected art teacher.  After graduating from the Government College of Art & Craft, Calcutta, Somnath taught at the Indian College of Arts & Draftsmanship, Calcutta from

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#Throwback2022: Somnath Hore: Communist Beginnings

Continued from Part 1. Beginnings Early to mid-twentieth century Bengal produced some very fervent artistic developments. Whether it was through the Revivalism pioneered by Abanindranath Tagore, or the Modernism embraced by the Government School of Art, Calcutta, visual art in Bengal gained from such different undercurrents. One undercurrent that had its roots outside the art

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#Throwback2022: A visual record of history – Krishen Khanna Part 2

By Vandana Shukla  Khanna’s works deal with a realistic world, the goings on; the play of maya caught in its own momentum, its own web; blurred under its own momentary existence against the eternal march of time. The moments caught on canvas seem to have a rhythm about them, as though, they are flowing over

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#Throwback2022: As an artist, I am not subservient to anybody – Krishen Khanna Part 1

By Vandana Shukla The centrality of visual art is governed by geometrical considerations. But it is the discovery made in the process that underlines its longevity. Krishen Khanna, a self-taught artist, has been engaged in making these discoveries through his entire span of life. His art has come to be celebrated globally for the fresh

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From paper to printmaking, water colours to installations

Blending various media and constantly evolving my style, I am based in Baroda and love experimentation. I pour my energy into constantly reinventing myself; from paper to print-making, water colours to installations, I have tried my hands at it all. -Kanika Shah Kanika Shah was one of the nine winners of the First Take 2019. From

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Souvik Das journey after First Take 2018

The naturalness characteristic of the surface of a geological cave serves as my source of inspiration which is translated through clay. In my work, the clay is used in such a way that it retains its utmost natural character. Also, the geometry of space inspires me. Its regularity and irregularity are my interest to achieve.

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