Columns

Kritika Verma This long-read-research article about Street Art- Graffiti in the Indian context brings multi-layer ideas about social life and street art as a context itself. Read the first part of this research article here: Street Art and Graffiti In Indian Public Spaces. Read the Second article: Historical Background of Graffiti and Street Art in

Kritika Verma This Article is the second part of research on 17th Century Krishna Leela’s painting; it illustrates the text of devotional songs, a genre known as Krishnalila. The first part of this Article: The Hidden Metaphors in the 17th Century Krishna Leela Painting from Nepal A third aspect of reading and separating an entirely

Kritika Verma This was my first official internship in a different country, Nepal, at the Patan Museum, Lalitpur, Nepal. The Patan Museum was inaugurated in 1997 by his Late Majesty Bir Bikram Shah. The museum quadrangle, known as Keshav Chowk, takes its name from the temple in the centre of the central courtyard and is

Kritika Verma I knew little about street art or traditional Graffiti when I began working on this thesis. I needed to immerse myself in the street art scene to understand it from an insider’s perspective. This method helped me better understand the relationships between individuals, art, and public spaces. I began communicating with street artists