Abirpothi

Columns

What does it mean when someone says, \”I don\’t understand art\”?

Ruby Jagrut In 2019, an artwork called \’Comedian\’, which featured a banana taped to a wall was all the rage. Created by Italian conceptual artist Maurizio Cattelan, the piece quickly went viral at Art Basel Miami Beach. Several versions of the piece eventually sold for over $100,000. This was the value of the banana or […]

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Art of faking art

Rajesh Kumar “Simply train a pair of hands in understanding how a said artist worked, and the returns can be exponential”, says Arvind Vijaymohan, chief executive officer of Artery India. As Indian art world blossoms to new heights of popularity, similar is the scenario in the market of ‘fakes’. It definitely slows down the trade

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Walking through Chalo Kam Karie: A group show of ceramics remembering Jyotsna Bhatt

Aparna Roy Baliga writes about the creative vibes that filled up the atmosphere for a group show organized in the memory of the late ceramic artist Jyostna Bhatt.  ‘Chalo kam karie’ was a group show which came forth from the workshop remembering Jyotsna Bhatt. This exhibition was held in ‘The space studio’ in Vadodara. All

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Is making art the flair and the sensibility to see beyond the tyranny of social constructs?

By drawing references to a host of creative masters, who saw art through their unique lens, as well as through his own experiences that were to impact his thoughts on creating art – and of finding meaning therein – Santanu Borah takes us through a fascinating journey that questions the activity, and possible futility, of

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Why we like what we like? A take on subconscious choices and art appreciation

Most of us differ in our opinions on authors, actors, and painters. What is it that attracts us to certain creative works (or people) and what is it that doesn\’t. Santanu Borah discusses the psychology of appreciating art (or not!) in this column Let’s take a quick tour of an old puzzle. Have you considered

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Let’s decode this mysterious creature called an “Artist” 

Recounting a chance meeting with an artist in rural India, and by tracing the life of Charles Biederman, Santanu Borah discusses the assumptions that cloud the recognition of an “Artist” The romance that seems to be wedded to the idea of the long-suffering artist keeps away important knowledge about our visual and cultural life. Most

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