Columns

By drawing references to a host of creative masters, who saw art through their unique lens, as well as through his own experiences that were to impact his thoughts on creating art – and of finding meaning therein – Santanu Borah takes us through a fascinating journey that questions the activity, and possible futility, of

Most of us differ in our opinions on authors, actors, and painters. What is it that attracts us to certain creative works (or people) and what is it that doesn\’t. Santanu Borah discusses the psychology of appreciating art (or not!) in this column Let’s take a quick tour of an old puzzle. Have you considered

Recounting a chance meeting with an artist in rural India, and by tracing the life of Charles Biederman, Santanu Borah discusses the assumptions that cloud the recognition of an “Artist” The romance that seems to be wedded to the idea of the long-suffering artist keeps away important knowledge about our visual and cultural life. Most

In the international art world, one artist who is nothing short of mythical is Frida Kahlo. The anecdotes surrounding her, the mercurial relationship she had with her partner, Deigo Riviera, her incessant battle with various ailments (she caught polio at age six), her obsession to paint even when her hands didn’t permit (she painted with

In his weekly column, Santanu Borah reflects on art, creativity, and the worlds that arise out of, and beyond, imagination When you look deep into the soul of the known universe, into the abyss of dark matter that has no bottom or top, beyond the clutches of dimension, you will find a poem that is

Santanu Borah writes a weekly column for Abir Pothi every Thursday. Today, he talks about the rather intriguing process of analyzing the character and function of colours. Read on! If you were to go by most science fiction films out there, the future is going to be a rather drab place – everyone in similar

In a column every Thursday, Santanu Borah will share varied perspectives on art and the art world. Here is the first piece of the series! When I was a child, art was about reproduction. “Can you draw this Gandhi photo exactly like it is?” And I always wondered why people wanted “exactly like it is”.

The artist is just like any other worker, but he is also not exactly that. Santanu Borah helps you negotiate this irony Somebody once asked me how is the work of an artist any different from the work of a banker or a sanitation worker. The question is not entirely without reason. The simple answer

Santanu Borah takes you through the \”career\” of Stéphane Breitwieser, who stole art because he liked art. Profit wasn\’t his motive. But, whatever his motive was, art that\’s not seen is like a tree that falls in a forest and nobody has seen it There are petty thieves, there are criminal masterminds and then there