Abirpothi

Interview

The Untold Struggles and Bold Choices of Sunita Lamba: Breaking Free from Artistic Conventions

Introduction Sunita Lamba’s artistic journey began with a striking moment of inspiration. As a child, she was captivated by a painting by Shoba Singh, a renowned artist from Kangra, Himachal Pradesh. That painting, vividly etched in her memory, sparked her lifelong passion for art. She recalls, “I was maybe 5 or 7 years old, and […]

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“I Don’t Need That Much”: Deepika Rejects the City Life

Introduction In a recent conversation with Mumbai-based artist Deepika Sakhat and Abir Pothi’s editor Iftikar Ahmed, explored the topic, “Why We Fear Using the Word Artist.” During our virtual meet, Deepika revealed something unexpected for someone living in one of India’s busiest cities. The fast-paced life of Mumbai proved to be overwhelming for her. The

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Sculpting Figures of Indian Life: A Journey through Five Decades of K S Radhakrishnan’s Art

“K.S. Radhakrishnan is one of the most notable among the new generation of sculptors who has successfully brought about a definitive resurgence in Indian sculpture. Like many of his contemporaries he is a figurative sculptor, but his preference for modeling and bronze casting over new materials sets him apart from the rest of them. Recharging age-old

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Paving the path: Project Astitva bridges the gap between amateurs and experts

In an interview with Manjeera for Abir Pothi, Garima Agrawal, and Jai Thakur, two independent photographers, talk about their collaborative project Astitva Photo which aims to bridge the gap between the novices and the experts in the photography industry. Jai and Garima saw that there is a noticeable lack of structure in the industry, making

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Akhilesh witnessed Husain, Raza & Swaminathan, and shines on his own

Noted painter Akhilesh comes from Madhya Pradesh and his works are admired internationally. He has prolifically written original books and also translated many books in Hindi. He is one of the rare artists who had the good fortune of being associated with the three great masters of Indian art; J Swaminathan, Maqbool Fida Husain and

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Himmat Shah, Part 4: Finding bliss through clay, and the Self through bliss

Continued from Part 3. “Buddha and Mahavir were able to make progress only through their own experience, and that why I see art and spirituality being connected in this land. We will have to have conversations like those in the Upanishads, by immersing ourselves in art, and thereby with our artworks. We will have to

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