Abirpothi

#longread

Artist Shirin Neshat\’s works are propelling the protests in Iran forward

Artist Shirin Neshat is an Iranian but has lived in the US since the 1970s. Like many Iranians who now live abroad, she felt that Iran would continue on the same pace as ever, without any major turn in the straight road. However, to her surprise, the anti-hijab protests did not subside within a few […]

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Sudhir Patwardhan: Painter of the Particular

On a cursory glance, Sudhir Patwardhan’s cityscapes might look akin to Edward Hopper’s paintings. But while Hopper’s scenes often show figures in solitude against the backdrop of the geometrically laid-out Western city, Sudhir’s canvases are often brimming with toiling bodies struggling in a bustling Indian city in construction. The Social backdrop of Sudhir’s Patwardhan’s visual

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A deserving face for the city\’s Art scene: Delhi Art Week’s core team on their \”phygital\” mapping

By Vinay Seth  Delhi Art Week, a unique “phygital” collaboration While happy to connect, the Delhi Art Week team began the conversation by expressing their disagreement with and disappointment over a particular point in my coverage pertaining to their effort — they stressed that the apple-to-apple comparison of the Delhi Art Week with the Delhi

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Expanding the \’Daira\’ of Art: A Children’s Art Festival from Hyderabad

By Vinay Seth Are you aware that there exists an art gallery exclusively dedicated to children in the southern part of the country, Hyderabad? Yes, The Children’s Fine Arts Gallery is located right next to the Daira Center for Arts & Culture in Banjara Hills, Hyderabad. They organise an annual Children’s Arts Festival, and this

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Old Guard and New Guns exhibit together for a fortnight: 40-plus exhibitions, for two Delhi Art Weeks

By Vinay Seth Back-to-back schedule: A lucky coincidence for Delhi art lovers! Anahita Taneja, Director of Shrine Empire Gallery, informed me that the Delhi Art Week and the Delhi Contemporary Art Week being back-to-back affairs this year was a lucky coincidence. “Bikaner House needed to be booked months in advance, and we had no idea

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Somnath Hore: Communist Beginnings

Continued from Part 1. Beginnings Early to mid-twentieth century Bengal produced some very fervent artistic developments. Whether it was through the Revivalism pioneered by Abanindranath Tagore, or the Modernism embraced by the Government School of Art, Calcutta, visual art in Bengal gained from such different undercurrents. One undercurrent that had its roots outside the art

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Himmat Shah, Part 4: Finding bliss through clay, and the Self through bliss

Continued from Part 3. “Buddha and Mahavir were able to make progress only through their own experience, and that why I see art and spirituality being connected in this land. We will have to have conversations like those in the Upanishads, by immersing ourselves in art, and thereby with our artworks. We will have to

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