Abirpothi

India’s only daily art newspaper

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Historical Background of Graffiti and Street Art in India

Kritika Verma I knew little about street art or traditional Graffiti when I began working on this thesis. I needed to immerse myself in the street art scene to understand it from an insider’s perspective. This method helped me better understand the relationships between individuals, art, and public spaces. I began communicating with street artists …

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Street Art and Graffiti In Indian Public Spaces

Kritika Verma I will begin by introducing the topic of graffiti and street art (henceforth graf/street art). Secondly, I will explain the emergence of Street art/ Graffiti in public spaces in India, explaining the importance of and justification for studying graffiti/street artists and their impacts on urban and rural landscapes. I will define the working …

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India In Western Video Games: Either a Mysterious Land or a Trashy Slum.

Vaishnavi Srivastava What makes a typical South Asian or Middle Eastern portrayal in media from a white man’s point of view? How about Sitar music, while we’re at it add in a couple of spears for weapons, throw in a couple of elephant tusks, oh! And the turbans! never forget the turbans. This predominance and …

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Aesthetics of Curation: The Art of Display and Argument

Krispin Joseph PX What is Curation? Is there any definition for Curation? Every event is curated by someone who is an artist or an expert, called a curator. Curation considers an art practice, curating things, spaces, narratives, works of art, experience, music, performances and anything under a thematic idea with an aesthetical- political- historical perspective. …

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Persistence and Creativity in the Face of Adversity: The Role of Women Artists of Mughal Court

Prachi Sahasrabudhe The Mughal Empire’s imperial court, which was renowned for its rich cultural past, played a crucial role in the advancement of women artists. Despite societal norms that usually restricted women’s roles, Mughal women painters were strong figures who made significant contributions to art and culture. This article discusses the successes, issues, and long-term …

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The Cross-Culturalism of Sadiquain Naqqash’s Calligraphy

Prachi Sahasrabudhe Calligraphy, the art of beautiful writing, has fascinated humanity for millennia. Sadiquain Naqqash, a renowned Pakistani artist, was one significant individual who revitalised calligraphy. Sadiquain revolutionised calligraphic art with his unique style and inventive technique, leaving an enduring imprint on the artistic landscape. In this essay, we will look at Sadiquain Naqqash’s mesmerising …

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Where Words Become Art in Letter and Spirit: The Performative Power of Islamic Calligraphy

Prachi Sahasrabudhe Quran calligraphy, also known as Islamic or Arabic calligraphy, is a highly regarded art style distinguished by delicate and flowing forms. It is strongly ingrained in Islamic culture, and it has been used to transcribe and embellish lines from the Quran – ‘the holy book of Islam.’ It is used to write Arabic …

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From Floral to Geometry, Iran Carries its Civilizational Journey on its Rugs.

Prachi Sahasrabudhe Persian rugs are renowned around the world for their stunning beauty and expert craftsmanship. These carpets have a millennia-long history, having originated in ancient Persia (present-day Iran). Persia is renowned as the birthplace of carpet design, a kind of art for which the Persians have unique talents and knowledge. Their natural impulse is …

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The Crossover of SouthAsian Culture and Islamic Art and Architecture

Prachi Sahasrabudhe The impact of South Asian culture on Islamic art is an intriguing topic that demonstrates the dynamic trade and interplay of creative traditions across various geographic regions. South Asia, with its varied cultural richness and rich history, has had a considerable influence on Islamic art, notably throughout the medieval period. This impact may …

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Why Gujarat’s Mata Ni Pachedi so sacred?

Smriti Malhotra Since the beginning of time, our ancestors have left sacred images of the female form. From the caves of Lascaux in France to the terracotta images found in the Indus Valley civilisations the art and artefacts which represent humans’ earliest myth making tendencies, indicate a deep reverence for life and, in particular, for …

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