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#longread

#Throwback2022: Somnath Hore: The artist-teacher who forever remained a student

#longread, Artist Profile /

Continued from Part 2. Somnath Hore, one of the most prolific artists in the canon of Indian Modern Art, was not only an accomplished visual artist, but also a well-respected art teacher.  After graduating from the Government College of Art & Craft, Calcutta, Somnath taught at the Indian College of Arts & Draftsmanship, Calcutta from […]

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#Throwback2022: Somnath Hore: Communist Beginnings

#longread, Artist Profile, Obituary, Retrospective /

Continued from Part 1. Beginnings Early to mid-twentieth century Bengal produced some very fervent artistic developments. Whether it was through the Revivalism pioneered by Abanindranath Tagore, or the Modernism embraced by the Government School of Art, Calcutta, visual art in Bengal gained from such different undercurrents. One undercurrent that had its roots outside the art

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#Throwback2022: The Life of Zarina: “That is our story too”

#longread /

Os Tyagi Zarina was the celebrated printmaker and sculptor, her work a witness to the most grievous conditions of our modern world. She worked in intaglio, woodblock, lithography, and silkscreen on handmade paper on which she rendered the human conditions of separation and belonging. I remember standing in front of one of her pin drawings

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#Throwback2022: Scaling up the canvas for public art – Krishen Khanna Part 3

#longread /

Khanna’s deep commitment to the pictorial space was not to be confined by the limits of the easel. He got an opportunity to break free of this confinement. Sometime in the early 80s, the chairman of ITC showed him the blank, dome like space of about 4000 square feet on the ceiling of ITC Maurya,

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#Throwback2022: A visual record of history – Krishen Khanna Part 2

#longread, #Throwback2022, Artist Profile /

By Vandana Shukla  Khanna’s works deal with a realistic world, the goings on; the play of maya caught in its own momentum, its own web; blurred under its own momentary existence against the eternal march of time. The moments caught on canvas seem to have a rhythm about them, as though, they are flowing over

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#Throwback2022: As an artist, I am not subservient to anybody – Krishen Khanna Part 1

#longread, Artist Profile /

By Vandana Shukla The centrality of visual art is governed by geometrical considerations. But it is the discovery made in the process that underlines its longevity. Krishen Khanna, a self-taught artist, has been engaged in making these discoveries through his entire span of life. His art has come to be celebrated globally for the fresh

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#Throwback2022: Only 1% of the population is dictating what artists are doing, that’s a tragedy: Christopher Charles Benninger, master architect (Part 3)

#longread, Samvaad /

  NT: I remember this amazing essay by Octavio Paz long back, Poet in the Marketplace, so it\’s like Painter in the Marketplace. So Christopher, what do you think about the kind of market art has become in this country; not just in this country, I think we have just caught up with what was

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#Throwback2022: Brilliant talent lost to market trends: Christopher Charles Benninger, master architect, in conversation with Abir Pothi – Part 1

#longread /

Abir Pothi had the honour of interacting with two esteemed guests who run one of the biggest architectural practices in the country. Christopher Charles Benninger is a master architect and he has executed some great projects in India. He was part of CEPT, he set up Christopher Charles Benninger Architects (CCBA) in Pune, he also designed the

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S.H. Raza’s Love for Bindu: The Geometrical Amalgamation of Spiritual Anatomy

#longread, Uncategorized /

Abhishek Dixit \”The Bindu or cosmic egg is a symbol of primordial genesis from which, in Hindu mythology, all Creation is born\”  – S.H. Raza Syed Haider Raza was born on 22nd February 1922, in Kakkaiya (locale Mandla), present-day Madhya Pradesh, to a deputy forest officer Syed Mohammed Raza and Tahira begum. He began drawing

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