A portion of an art exhibition hosted at Trebah Gardens in Cornwall has been removed after facing backlash from visitors who deemed the artworks too gloomy, confirmed both the artist and the head of the exhibition.
Four pieces created by artist Andrew Swan were taken down from display at the picturesque Trebah Gardens, situated along the scenic Helford River. The decision to remove the artworks was made following numerous complaints from visitors who found the pieces to be excessively depressing, as stated by the artist himself.
One of the removed works, titled “Stinking Rich: The Cost of Wealth,” featured imaginative gravestones representing four billionaires along with their associated activities. Each billionaire was symbolically depicted on individual plinths resembling tomb covers, accompanied by informative panels designed for observers to interpret.
Jon Cummins, the head of the Trebah Garden Trust, explained that he decided to take down the pieces after assessing the feedback he had received. The artist, based in Penzance, expressed his surprise at the reactions to his creations, which intended to explore the far-reaching consequences of extreme wealth on both the environment and society.
Swan’s intention was to prompt contemplation about the activities of the billionaires, and their impact on the world we inhabit. In response to the removal of his artworks, Swan conveyed his bewilderment at the discomfort expressed by some visitors, particularly considering the ongoing challenges posed by the current cost of living crisis. He remarked that these reactions might reveal more about the viewers themselves than about his artistic endeavors.
Mr. Cummins revealed that Trebah Gardens had been experimenting with showcasing different exhibitions, and he based his decision on the feedback he had gathered. He emphasized that the removal was prompted by assertions from various individuals that the artworks were “outrageous,” too “political,” and simply not fitting for the venue. In light of this feedback, he believed it was appropriate to take action.
The incident raises questions about the intersection of art, public opinion, and the role of art institutions in curating exhibits that cater to diverse perspectives. While some viewed the artworks as thought-provoking reflections on the societal implications of wealth, others found them disheartening and divisive. The episode underscores the challenges of navigating the fine line between artistic expression and audience sensibilities in today’s ever-evolving cultural landscape.
Feature image Courtesy: BBC
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