An exhibition of renowned artist Jamini Roy’s paintings in Kolkata has sparked controversy as a group of artists raised concerns over the authenticity of the artworks showcased. The dispute has led to a formal complaint filed at the Park Street Police Station and calls for an investigation by the Archaeological Survey of India (ASI), which had previously declared all of Jamini Roy’s works as a “national treasure” in 1976.
Exhibition Details and Allegations
The exhibition, hosted at Middleton Art Gallery and organised by art collector Kamal Parekh, concluded recently but not without stirring debate. Artists attending the exhibition noted discrepancies in the displayed artworks compared to Jamini Roy’s known patterns and styles. They allege that the artworks showcased do not align with Roy’s characteristic work, prompting suspicions about their authenticity.
Demand for Examination and Government Intervention
A meeting held by a group of concerned artists resulted in a resolution to petition the Centre for intervention and request an examination of the artworks by the ASI. Artist Pranab Ranjan Roy emphasised the need for verification, stating that the displayed artworks diverged from Jamini Roy’s known body of work. Another artist, Hiran Mitra, echoed similar sentiments, expressing doubts about the authenticity of the displayed paintings and advocating for an official investigation.
Denial and Defense from Organiser
In response to the allegations, Kamal Parekh, the organiser of the exhibition, vehemently denied any wrongdoing. He asserted that he had obtained the paintings from various sources and possessed authentication documents for each artwork. Parekh refuted claims of forgery, citing his extensive collection of Jamini Roy’s paintings, which he acquired over the years. Despite his assurances, the group of artists remained skeptical, highlighting discrepancies in Parekh’s claims, such as the alleged exhibition at Kolkata’s Grand Hotel in 1993, which they claim lacks documentation.
Jamini Roy’s Legacy and Significance
Jamini Roy, born in Bengal’s Bankura district in 1887, holds a significant place in India’s art history as one of its earliest modernists. His contributions to the art world were recognised with prestigious accolades, including the Viceroy’s Gold Medal in 1935 and the Padma Bhushan in 1955. Roy’s artistic legacy continues to influence generations of artists, making the controversy surrounding the authenticity of his paintings all the more pertinent.
As the dispute unfolds, it raises broader questions about the preservation of artistic heritage and the responsibility of collectors and organisers in ensuring the integrity of exhibitions showcasing revered artists’ works.
Feature image: At the exhibition on Jamini Roy’s paintings at Middleton Art Gallery in Kolkata, which concluded Wednesday. Courtesy: Express photo by Shashi Ghosh
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