In the dichotomy of home and college, Mahima Katiwal finds a canvas for her unique artistic exploration. While her ventures seldom extend beyond these familiar confines, her attention is magnetically drawn to the myriad objects that inhabit these spaces. It’s a conscious choice not to meander through the city or seek solace in recreational areas; instead, Katiwal discovers charm, inspiration, and loveliness in the overlooked nooks and crannies within her immediate surroundings.
In a world where locals might dismiss these commonplace experiences, Katiwal sees them as a source of connection. Her artistic lens unveils the charm of everyday objects, exploring them from multiple angles, and fostering a profound sense of attachment. Confined to a specific geographical region for her project, she transforms these seemingly mundane elements into conduits for self-discovery, using them to unravel the threads of her own identity.
Katiwal’s work is an intimate examination of designated spaces in homes and workplaces, where routine activities unfold. Yet, her approach transcends the commonplace; she seeks the sentiments of both association and separation within these environments. These artworks are not laden with elaborate philosophical constructs but are, instead, fragments of Katiwal herself—tiny imprints of her unique perspective and connection to the world around her.
Through her art, Mahima Katiwal invites viewers to see the ordinary through her eyes, to discover the subtle nuances that escape casual observation. Her pieces, devoid of grand philosophical narratives, nonetheless encapsulate a piece of her essence, offering a glimpse into the artist’s personal dialogue with the immediate world that shapes her.
Feature Image: My Studio by Mahima Katiwal | Courtesy: Abir Space
Iftikar Ahmed is a New Delhi-based art writer, researcher and curator.
