Confluence, a new exhibition including the works by masters, opened recently at Sridharini Gallery, Triveni Kala Sangam. The exhibition exhibited the works of great masters, including F.N Souza, Jamini Roy, Krishen Khanna, M.F. Hussain, Satish Gujral, Sakti Burman, and others. Displaying their best of works the exhibition is already attaining eyeballs and creating a buzz in the capital city. With most of the people visiting to explore the master’s works a few of them are willing to learn the style and form of their works. There is no denying that showcasing masterpieces offers immense value to aspiring artists, as it allows them to deeply explore and comprehend the underlying concepts and intricate elements of artistic form. Exhibiting masters in contemporary times definitely creates an opportunity for people to look upon the deeper aspects that were done effectively in history.
The gallery seemed quite populated and folks were deeply intrigued by the works. Their focus was more on the appreciation of works in every context. There was a satisfactory number of visitors as people in Delhi flocked to the gallery. Works were full of important aspects for instance, a clever space division establishes Gujral as a polymath, a maverick muralist, and an architect. The motifs are stern, unyielding, massive, and at the same time rhythmic and layered. Gujral’s artistic genius shines through as he skilfully weaves together a vibrant tapestry of colours, much like a symphony of music. He effortlessly brings to life a visual masterpiece, using bold and daring shades of black and red, as well as delicate and enchanting hues of violet and blue. The undeniable essence of the human experience, with all its intricate emotions, whether it be the depths of agony, the heights of joy, or the profound introspection found in moments of contemplation or intense focus on a particular activity, has consistently emerged in his captivating paintings and drawings throughout the years.
Jogen Chaudhary’s drawings of birds portrayed a wonderful example of line drawing. These bold, spontaneous drawings truly capture the dynamic movements of birds in action.. Full of life, the drawing is infused with a sense of movement. On careful examination, one can easily distinguish between each bird, yet the execution stays true to Jogen Chowdhury’s visual idiom. It seems as if the artist has made sketches on the spot. As once acknowledged by Jogen Chowdhury, artist-poet Rabindranath Tagore’s works, filled with liveliness and spontaneity, have greatly influenced the artist.
Neeraj Goswami’s work reflects his belief that colour is a form of energy that can stimulate our senses and bring out a range of emotions. He stretches a myriad of colours over scattered geometries of gem-like hues to create refracted compositions. Painted with the Moon-dot (chandra bindu) in the center, this painting suggests the dazzling spectrum of possibility enfolded in our everyday surroundings, reminding us of the magic in the mundane.
On the other hand, Neeraj Goswami’s search for uniqueness in his works defines the clarity of his thoughts. Evident through the symmetry and miraculous balance of opposing forces; his work is highly strategized and executed with meticulous calculations. Neeraj explains: “I have created an angel atop a sun in cosmic waters. A brilliant sun emerging out of the cosmic waters is blessed by an angel hovering over it. Two wings are conceived as drops from the ocean, the source of creation, Brahma, the pure consciousness. Hope for the preservation of all creation around us.” This complex arrangement of forms, stranded through certain equilibrium, speaks of the artist’s utmost craftsmanship. This exhibition is on view till 7th September, and it is a not-to-miss experience for every art history lover.
Art as an Investment: Insights from the Indian Art Market’s Growth and Investment Potential
