The Many Avatars of Pushpamala N.
Saptarshi Ghosh In what appears to be a still from a 1950s black-and-white film noir, a masked woman donning a black hat sits at a table in a cafe, looking directly at the viewer. She reappears in an oleograph purportedly printed in 1908 by the famed colonial-era Calcutta Art Studio, but this time in the […]