Abirpothi

Akhilesh

Gaitonde’s Paintings Are Not Mirrors Reflecting Familiar Objects but Documents of the Turmoil Within (Part-4)

A black-and-white portrait of Vasudeo S. Gaitonde, an Indian modernist artist, looking contemplative with a cigarette in his hand. The setting is minimal, with a soft-focus background, emphasizing his thoughtful expression and artistic persona. ​​

Vasudeo S. Gaitonde, one of India’s most celebrated modernist painters, is often regarded as a pioneer of non-representational art in India. Renowned for his meditative abstraction, Gaitonde’s works transcend the tangible, inviting viewers into a realm of introspection and inner dialogue. The noted artist and writer Akhilesh offers a compelling perspective on Gaitonde’s art, resisting […]

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What Was Gaitonde Waiting For? For What Hope Did He Create? (Part-3)

A black-and-white portrait of V. S. Gaitonde, an iconic Indian modernist artist, exuding a contemplative expression with his hand resting against his cheek. The minimal background emphasizes his thoughtful demeanor and artistic legacy.

V.S. Gaitonde, India’s most revered abstract painters, creates a unique space in contemporary art through his masterful manipulation of form and colour. His minimalist approach and spiritual undertones create an enigmatic world where form, space, and memory intertwine. His canvases invite viewers into a reflective space, where they must confront their own perceptions and emotions.

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Gaitonde waited—but for what? Was it the arrival of a colour? A form? A muse? (Part-2)

A contemplative abstract painting by V. S. Gaitonde, featuring subtle hues and intricate forms that evoke a sense of introspection and depth.

Vasudeo S. Gaitonde was a forerunner among Indian modernist painters, noted for his affiliation with non-objective art and his meditative, atmospheric abstractions. His work does not conform to the common understanding of both colour and form and provides a deep sensory experience. As a contemporary artist, Akhilesh reflects on V. S. Gaitonde’s profound engagement with

Gaitonde waited—but for what? Was it the arrival of a colour? A form? A muse? (Part-2) Read More »