Venus Sanghvi’s work is a compelling exploration of abstraction and symbolism, merging personal experiences with spiritual elements to create a distinctive visual language. Her use of materials like sindoor and abir, along with the inclusion of chimes representing the Bija mantra, lends a ritualistic quality to her art. These elements are not merely decorative; they serve as conduits for exploring deeper, often introspective themes related to identity and the self’s relationship with society.
What sets Sanghvi apart is her ability to transcend conventional genre boundaries. She skillfully blends different mediums and techniques, producing a body of work that defies easy categorization. Her compositions are layered, both literally and metaphorically, inviting viewers to peel back the surface to discover the underlying narratives. The incorporation of scripts within her pieces adds a textual dimension, transforming her canvases into complex, almost palimpsestic works where meaning is both elusive and evolving.
Sanghvi’s affinity for historical monuments and cultural diversity is evident in her choice of materials and forms. This aspect of her work suggests a dialogue with the past, yet her approach is distinctly contemporary. The rhythmic patterns and designs in her work, reminiscent of poetry, evoke a sense of fluidity and movement, challenging traditional ways of seeing and thinking.
Each series she produces is deeply rooted in her personal journey, yet the emotions and themes she explores are universal. This tension between the personal and the collective experience is where her work finds its strength. Sanghvi’s art is not easily accessible; it demands engagement, reflection, and a willingness to explore the complex interplay of sensation and meaning. For those willing to invest the time, her work offers a rich, multilayered experience that resonates long after the initial viewing.