Ravikant Jha, a contemporary artist, resides and practices art in the scenic and culturally rich Himalayan district of Solan, Himachal Pradesh, India. His unique approach to art, which he describes as semi-abstract, intricately blends both figurative and abstract elements, creating an amazing visual experience.
The primary medium is acrylic on canvas, a choice that allows him to achieve the glee and dynamic effects that characterise his work. At first glance, his paintings strike viewers with their psychedelic quality, an explosion of colours and forms that seem to pulse with an otherworldly energy. However, beneath this initial impression lies an incredible depth, as his art emerges as a product of the subconscious mind, a channel through which he explores and expresses the unseen and the mystical.
The landscapes of the Himalayas play a crucial role in Jha’s art, serving not just as a backdrop but as a central element interwoven with mythological themes. His works often feature elements from various mythologies, embedded within the dreamy and surreal settings of the Himalayan terrain. This interplay between mythology and landscape underscores a deep connection between the natural world and the archive of stories and symbols that have been passed down through generations. One of the recurring motifs in Jha’s work is the elephant, a symbol with significant connotations in Hinduism. The elephant, revered for its strength, wisdom, and connection to various deities, particularly Ganesha, is seamlessly integrated into his compositions. This motif bridges nature and mythology, reflecting the symbiotic relationship between the environment and cultural narratives.
Jha’s palette is dominated by ultramarine and crimson, colours that not only provide a striking contrast but also imbue his works with a sense of depth and intensity. Ultramarine, with its historical associations with divinity and the infinite, complements the passionate and visceral quality of crimson. Together, these colours create a dynamic interplay that enhances the expressive power of his paintings. The technique Jha employs is marked by expressive brush strokes that, while appearing spontaneous, are meticulously executed with intention and precision. Each stroke contributes to the overall composition, creating a sense of movement and energy that draws the viewer into the canvas. This approach allows him to convey emotion and narrative in a way that feels both raw and refined.
A distinctive feature of Jha’s work is his use of transparent layers, a technique that adds complexity and depth to his compositions. These layers allow for a play of light and shadow, creating a sense of dimension and fluidity that enhances the dreamlike quality of his paintings. This method not only adds a visual richness but also invites viewers to look deeper, to uncover the layers of meaning and symbolism embedded within each piece. His art is a reflection of his environment, his cultural heritage, and his inner world. Living in the Himalayas, a region steeped in natural beauty and spiritual significance influences his creative process. The majestic landscapes, the rich traditions, and the stories that permeate this area provide endless inspiration.
In his works, one can sense a dialogue between the ancient and the contemporary, the conscious and the subconscious, the tangible and the ethereal. Jha’s paintings invite viewers to explore the intersections of mythology, nature, and the human psyche. Through his art, he seeks to create not just visual experiences but also contemplative spaces where one can reflect on the deeper connections that bind us to the world and each other.
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Iftikar Ahmed is a New Delhi-based art writer & researcher.
