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Aditya Sisodia In the realm of Indian art, the limelight often falls on modern and contemporary works, leaving the country’s rich historical arts in the shadows. The cultural heritage of India, spanning centuries, has faced its share of looting and plunder by invaders, colonial powers, and opportunistic individuals seeking profit. It is disheartening to witness […]
Aditya Sisodia According to Nikhil Halli founder director of Arena Animation F C Road, Campus in PuneThe Animation, VFX & Gaming industry in India is poised for exponential growth, with a current worth of approximately $2.8 billion. India, as the most populous country in the world with 1.429 billion people, possesses a unique advantage with
Gaming & Animation is a great choice for those with a passion for Gaming and Animation Read More »
Kritika Verma This long-read-research article about Street Art- Graffiti in the Indian context brings multi-layer ideas about social life and street art as a context itself. Read the first part of this research article here: Street Art and Graffiti In Indian Public Spaces. Read the Second article: Historical Background of Graffiti and Street Art in
Spatial Interaction of Street Art and Graffiti Read More »
Aditya Sisodia The exhibition titled “Mapped!” held at the Asiatic Society of Mumbai shed light on the historical methods of mapping, particularly the Great Trigonometrical Survey of India (GTS) conducted during the British colonial period. The exhibition, organised in partnership with the Rotary Club of Bombay, curated by heritage management firm PastPerfect, and supported by
Niveditha Ajay A room made infinite by mirrors across every surface including the floor, with bunches of flowers hanging from the ceiling. As you walk closer to the bundles of luscious green leaves, yellow, pink, and purple flowers, sensors cause them to lift- forming a semicircle where the viewer stands. This is teamLab’s Hanging Flower
Aditya Sisodia Museums had long served as custodians of history and repositories of cultural treasures, dating back to ancient times when Ennigaldi-Nanna’s museum in Mesopotamia pioneered the concept of curated collections. Today, museums have proliferated exponentially, holding artefacts and nations’ collective cultural wealth. However, can museums transcend their role as mere storehouses of historical relics?
Kritika Verma This long-read-research article about Street Art- Graffiti in the Indian context brings multi-layer ideas about social life and street art as a context itself. Read the first part of this research article here: Street Art and Graffiti In Indian Public Spaces. Read the Second article: Historical Background of Graffiti and Street Art in
The Rise of Street Art Read More »
Pratiksha Shome The root ‘yam’, which means to hold or support, is where the term ‘yantra’ originates from in Sanskrit. As a result, a yantra is thought of in metaphysical terms as a container for the purest spiritual essence. A Yantra is a pure geometric arrangement made up of the original, most fundamental shapes. These
Yantra: The symbolic Meaning in Tantric art Read More »
Kritika Verma This Article is the second part of research on 17th Century Krishna Leela’s painting; it illustrates the text of devotional songs, a genre known as Krishnalila. The first part of this Article: The Hidden Metaphors in the 17th Century Krishna Leela Painting from Nepal A third aspect of reading and separating an entirely
The Influence of Medieval Sanskrit Text From India in This Painting Read More »
Niveditha Ajay The people of Bexhill-on-Sea woke up to a vandalised installation earlier this year. The piece, titled ‘Seated’, featured a bronze sculpture of a Black woman leisurely taking a seat that was spray painted white by the vandals. The artist, Tschabalala Self notes the nature of the act as being heavily motivated by a
Violence Against the Art of Colour: Why Are They Feared? Read More »