Abirpothi

India’s only daily art newspaper

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The Making of a Craftsman: Samvaad with Jaya Jaitly (Part II of VI)

Welcome to Samvaad, where art meets conversation, and inspiration knows no bounds. Here we engage in insightful conversations with eminent personalities from the art fraternity. Through Samvaad, Abir Pothi aims to create a platform for thought-provoking discussions, providing readers with an exclusive glimpse into the creative processes, inspirations, and experiences of these creative individuals. From […]

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Zhang Huan’s Family Tree: Does Culture Smother the Individual?

The constant conflict between the self and what lies beyond the self is a recurring theme in art. The untouched and unknowable aspects of the private identity may sometimes mix with the constructed nature of culture in odd ways. Yet even these interactions between the two contributes to who an individual becomes- perhaps even subverting

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Saved or Sold: Diego Rivera’s Mural Stuck at the San Francisco Art Institute

Despite earlier claims that the artwork will be saved rather than sold, the status of Diego Rivera’s cherished mural at the San Francisco Art Institute is still up in the air. Tuesday saw the announcement from Cushman & Wakefield that it will be selling the SFAI site. The renowned art school shut its doors in

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Naked body as Art: Carolee Schneemann and Her Sexual Liberation

The Telluride Film Festival asked the American artist Carolee Schneemann to deliver a schedule of films made by women in 1977, including her own Fuses (1964–1977) and Plumb Line (1968–1971). When Schneemann arrived, she discovered that the show now had a name: The Erotic Woman. Schneemann abandoned her prepared introduction and instead recited a scroll

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Benodbihari Mukherjee: A Blind Artist and his Lost Scroll found after a Century

Born in 1904, Benodebehari Mukherjee had severe myopia in one eye and was completely blind in the other. At age 53, he completely lost his vision. Mukherjee, a painter of landscapes and frescoes, passed away in 1980 after producing ground-breaking works. In the 20th century, he came to define contemporary art in India as a

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The Coming Out of Queer photographer Mengwen Cao as She Talks About Marginalization, Family and Work

It’s a very personal—yet typical—experience to come out to your family as LGBT. Mengwen Cao had the procedure in 2016, making a video to show their parents on FaceTime, recording the call, and afterwards transforming the tape into an artwork titled Here We Are. The call concludes with the artist’s father saying, “We can accept

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