Abirpothi

India’s only daily art newspaper

admin

The art of the art thief: A look at Stéphane Breitwieser, one of the greatest art thieves of our time

Santanu Borah takes you through the \”career\” of Stéphane Breitwieser, who stole art because he liked art. Profit wasn\’t his motive. But, whatever his motive was, art that\’s not seen is like a tree that falls in a forest and nobody has seen it There are petty thieves, there are criminal masterminds and then there

The art of the art thief: A look at Stéphane Breitwieser, one of the greatest art thieves of our time Read More »

‘Beauty, first. Especially in the worst of times’: Pandemic perspective from across the Atlantic

American artist Michael diCanio speaks to Pothi from New York about the impact of Covid-19 on local art, and his thoughts on the resilience of the art community and individual artists amid this crisis His art could be described as rife with subtle mythological, fantastical and religious iconography and Symbolism, sometimes arcane, sometimes nearly dystopic,

‘Beauty, first. Especially in the worst of times’: Pandemic perspective from across the Atlantic Read More »

\’Not next to Mona Lisa? Then no Mundi!\’ New report reveals fresh controversy

A SUMMARY OF THE MOST EXCITING ART NEWS FROM AROUND THE GLOBE While we focus on Indian art, we can’t obviously function in a vacuum. It’s a small world and everything is connected, especially on the web. So, let’s train our spotlight across the world map to see what’s going on — from art trends

\’Not next to Mona Lisa? Then no Mundi!\’ New report reveals fresh controversy Read More »

This week, our artists bring you layers, landscapes, social and desi themes

Asif Imran: Urban and rural landscapes gently evoked As an artist, Asif Imran is deeply inspired by the juxtaposition of urban and rural landscapes, having experienced both in his formative years. A gentle glimpse of socio-economic realities and the changing face of the immediate world around us, influenced by myriad travels, are found expressed in

This week, our artists bring you layers, landscapes, social and desi themes Read More »

The many mutinies of the tribal art and journeys thereafter

If one analyses the trajectories and stories of artists, some aspects begin to stand out; insights that otherwise elude us if we are not alert to nuances. There are common elements to the professional journeys of the forebearer of Gond Art form, Jangadh Sinh Shyam from Patangadh, Mandla, Kalipad Kumbhar from Bankura, West Bengal, who brought to fame the ‘bonga hathi,’ Odisha’s scroll painter or “pat chitrakar” Prahlad Mohrana who innovated “tapoi,” Sona Bai, or Neelmani.

The many mutinies of the tribal art and journeys thereafter Read More »