Abirpothi

India’s only daily art newspaper

textiles

Artix: India’s Premier Hotel Art Fair Returns for Its Second Edition

Redefining the Intersection of Art and Hospitality Hotel art fairs have surged in popularity in recent years, seamlessly blending the realms of hospitality and art to provide unique and immersive experiences. Among these, India’s exceptional hotel art fair, Artix, is set to make its highly anticipated return for its second edition. This year, Artix promises […]

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Threads of Legacy: Sutr Santati Exhibition Celebrating Indian Textile Heritage at NGMA,Mumbai

A textile revolution has been happening in the country for the past few years, wherein Indian handlooms and handcrafted textiles are being upheld and exhibited in a grand manner to be celebrated. One such stunning exhibition is called Sutr Santati: Then. Now. Next is now showcasing more than 100 Indian textiles at the National Gallery

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Stitching Stories, One Stitch at a Time: Tale of Bengal’s Kantha

The Roots of Kantha Embroidery The Kantha, a form of embroidery, thrives in 21st-century India, with around 50,000 women embroiderers engaging in what they call “ghore bosa kaaj” or home-based work. This rich tradition of embroidery traces its roots back millennia, as evidenced by archaeological finds of needles in the ancient cities of the Harappan

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Leheriya: The Tied and Dyed Threads of Rajasthan

Origins of Leheriya Originating in Rajasthan, leheriya is a tie-dye technique renowned for its unique arrangements of stripes, chevrons, and diagonals. This traditional artistry adorns men’s safas (turban cloths), women’s odhanis, and sarees, drawing inspiration from the monsoon’s celebratory essence in the state, and the wind’s imprints on desert sands, reflected in its name derived

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Dhabla Weaving, A Unique Craft from The Deserts of India

What is a Dhabla? Dhabla, a Rajasthani-style Kutch weaving, evolved through the migration of Vankar people from Rajasthan, settling in Kutch due to commerce. They mastered the unique dhabla weave suited to the region’s hot climate.The Meghwals’ journey to Kutch, driven by their devotion to Shri Ram Dev Pirji, added to the cultural tapestry. The

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Stories Stitched in Time: Chamba Rumal, The Needlework Wonders of Himachal

Introduction For many, the unassuming cloth handkerchief is a commonplace object in daily life. Often embellished with monograms or subtle patterns, these hankies serve the simple purpose of wiping hands and faces. However, the Chamba Rumal (where “rumal” translates to handkerchief) defies convention. Far from ordinary, it’s a unique and treasured artefact, far too precious

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Telia Rumal is a Tradition which is Rewoven for Today’s World

Tracing its origins to the 19th century, this textile’s history is rooted in Chirala, situated along the coastal region of Andhra Pradesh. The term ‘Telia’ signifies oil, while ‘Rumal’ translates to handkerchief. Telia Rumal has stood as a pivotal Ikat tradition within Andhra. Its birthplace, Chirala, witnessed the initial emergence of these skills, the technique

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Weaving Warmth: The Evolution and Artistry of Kullu Shawls

INTRODUCTION The origin of the name ‘Kullu’ can be traced to ‘kulant peeth’, signifying ‘the terminus of the inhabited world’. This picturesque valley settlement finds its snug abode nestled between the mighty lower and greater Himalayan ranges, harmoniously tracing the path of the Beas River. While a handful of hotels and resorts have emerged, life

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India’s First-Ever Hotel Art Fair: Embracing Culture at Taj Mahal Palace Hotel

Introduction Hotel art fairs have been gaining traction worldwide, offering a unique platform for art enthusiasts to experience a fusion of culture and creativity. Now, an exciting announcement has emerged from the opulent premises of the Taj Mahal Palace Hotel in New Delhi – India’s first-ever hotel art fair, ARTIX, is set to take place.

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Crafting Divinity: Pichwai Tradition and its Artistic and Devotional Resonance

Revered Art of Pichwai Originating in Nathdwara, near Udaipur, Rajasthan, pichwai is a devotional custom where cloth is painted with revered images and hung behind the deity. This practice emerged in the 17th-century shrine of Nathdwara when an idol of Krishna was moved from Mathura during Aurangzeb’s reign. “Pichwai,” which translates to “that which hangs

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