Abirpothi

India’s only daily art newspaper

Artist Profile

Did you know this pioneer of modern Indian art illustrated our Constitution?

December 3, On This Day Did you know this pioneer of modern Indian art was entrusted with the historic task of illustrating, beautifying and decorating the original manuscript of the Constitution of India? Born on December 3, 1882, 139 years ago, the renowned artist Nandalal Bose was a key figure of Contextual Modernism (a period of experimentation in […]

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First Take 2021 Jury: Sculpting a novel understanding of art with Kristine Michael

It is often said that an artist communicates best (and sometimes solely) through their art — but in the case of noted ceramic artist and art academic Kristine Michael, her erudition encompasses both her thought-provoking sculptural artworks as well as the spoken and written word. After all, besides being known as a notable ceramic artist,

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First Take 2021 Jury: Exploring the nature of and nature in art with Vasudevan Akkitham

One of the honourable jury members for Abir India’s First Take 2021, 63-year-old Vasudevan Akkitham is regarded a pioneer of Indian art, having had a bird’s-eye view and understanding of its fascinating evolution over the last four-odd decades — and he believes that we stand at a juncture that is quite promising in many ways.

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First Take 2021 Jury: Metaphor in motion with the sculptures of KS Radhakrishnan

There is movement, metaphor, and meaning to be found in the sculptures of KS Radhakrishnan, a doyen of Indian sculpture for more than four decades, and one of the most significant figures in contemporary Indian art. He is noted as a member of the new generation of sculptors, who has successfully brought about a definitive

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Our series on textile stalwarts, combined into one long read!

Chandrashekhar Bheda Chandrashekhar Bheda studied textile design (Dyeing and Printing) at Sir JJ School of Art. Next, he completed his post graduation from the National Institute of Design Ahmedabad in Industrial Design with a specialization in Textiles in 1988. Abir Pothi reports how such a large potential stored in textile materials has kept him excited

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Weaving the tapestry of a rich legacy with artist Rajen – Textile Series 3

Even in his eighties, in the last few years before the pandemic struck, Rajen Chaudhari — known by the simple moniker of Rajen through most of his artistic life — was enthusiastically weaving in his workshop, tucked away near Raipur Darwaja in the heart of Ahmedabad. His hands thrummed with energy and belied his

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“Each stitched line is a conversation between my hand and brain,” says Pranati Panda – Textile Series 2

Pranati Panda’s first textile experience was as a child learning to knit and sew from her mother. She has always had a need to do something with her hands, something tactile, and working with textile and stitching is a process of mark-making of the progression of time, she believes. “Hand-stitching is a time-based medium and

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Chandrashekhar Bheda unravels the fascinating world of textile murals | Textile Series 1

Chandrashekhar Bheda studied textile design (Dyeing and Printing) at Sir JJ School of Art. Next, he completed his post graduation from the National Institute of Design Ahmedabad in Industrial Design with a specialization in Textiles in 1988. Abir Pothi reports how such a large potential stored in textile materials has kept him excited throughout his

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“I am interested in surprises from my art,” says Manjunath Kamath, a man of many mediums

Skilled facility with diverse media, multiple cultural references, traditional iconography, fragmented imageries, an often humorous visual vocabulary, and constantly reinvented modes of storytelling are the hallmark of noted artist and sculptor Manjunath Kamath’s works. In this Abir Pothi exclusive, he shares his journey with Gauri Gharpure Temple sculptures and paintings, churches, and Jain temples were

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